during the Training Course for the “Egyptian Museums Requalification System” funded by the
General Direction for the Cooperation for Development of the Italian Ministry of
Foreign Affairs and the General Secretary of the Italian Ministry
of Cultural Heritage and Activities.
It dates back to the 2nd century AD, and was particularly interesting from an iconographic
point of view because was representing three moments of Oedipus’s life.
On the right is the execution of Laio, kneeling down in front of his son Oedipus who holds a sword,
and the allegorical figure of Agnia (the Ignorance) who, frightened, is running away.
In the centre, Oedipus is sitting on a bench in front of the personification of the city of Thebes.
All these figures and the situations represented can be identified by the
Greek inscriptions that the painter added on the painting.
The painting is carried out by quick and effective brushstrokes very close
to the “compendiary” Greek-Roman style.
The final aesthetical treatment
unluckily has never